![]() Leitz Wetzlar and close associates of Berek, who passed away in October 1949. The assignment fell to Gustav Kleinberg and Otto Zimmermann, two of the most brilliant optical designers at E. ![]() By that time, they were diligently working on a stunning new Leica camera that was to become the landmark Leica M3 of 1954, and their goal was to grace it with the finest, most advanced 50mm f/2 lens the world had ever seen. By the late 1940s, the management at Leica knew they needed to come up with a superlative successor to the well-respected 50mm f/2 Summitar that had been designed by the legendary Max Berek in 1937 and had been in production since 1939.
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